{"id":9047,"date":"2025-09-18T12:46:17","date_gmt":"2025-09-18T10:46:17","guid":{"rendered":"https:\/\/www.eufonie.pl\/event\/the-essence-of-the-world\/"},"modified":"2025-11-18T01:32:52","modified_gmt":"2025-11-18T00:32:52","slug":"the-essence-of-the-world","status":"publish","type":"tribe_events","link":"https:\/\/www.eufonie.pl\/en\/event\/the-essence-of-the-world\/","title":{"rendered":"The Essence of the World"},"content":{"rendered":"

Music, like the art of oratory, often expresses itself as if between the sounds.<\/strong><\/p>\n

Such voices can be found in melodically sensitive and frugal pieces by Valentin Silvestrov (Intermezzo<\/em>), P\u0113teris Vasks (Plainscapes<\/em>) and Henryk Miko\u0142aj G\u00f3recki (Lullabies<\/em> and Dances, Op. 47). 47). Z kolei Conversio<\/em> Erkki-Svena T\u00fc\u00fcra i Tempo di valse<\/em> z Musica ricercata<\/em> Gy\u00f6rgya Ligetiego to przyk\u0142ady przewrotnego podej\u015bcia do formy. Muzyka nowa za\u015b \u2013 Up<\/g> Dariusza Przybylskiego i Aria<\/g> Just\u0117 Janulyt\u0117 \u2013 ponownie koncentruje si\u0119 na samym d\u017awi\u0119ku. Dodatkowo, mi\u0119dzy tymi dzie\u0142ami zabrzmi\u0105 improwizowane intermezza. <\/p>\n

BUY TICKET<\/a><\/div>\n

PROGRAMME:<\/h4>\n

Dariusz Przybylski (born 1984)
\n<\/span><\/strong>Up<\/em> for violin Op. 87 [7′]
\n(2015) <\/p>\n

P\u0113teris Vasks (ur. 1946)
\n<\/span><\/strong>Plainscapes (Andante misterioso)<\/em> [5\u2019]
\narrangement for violin and accordion: Karolina Miko\u0142ajczyk (ur. 1993) & Iwo Jedynecki (ur. 1991)
\n(2002\/2025*)<\/p>\n

Karolina Miko\u0142ajczyk, Iwo Jedynecki
\n<\/span><\/strong>Interludium I<\/em> [2\u2019]
\n(2025*)<\/p>\n

Gy\u00f6rgy Ligeti (1923\u20132006)
\n<\/span><\/strong>Tempo di valse<\/em> (poco vivace \u2013 \u201e\u00e0 l\u2019orgue de Barbarie\u201d) (cz. IV)
\nz cyklu Musica ricercata [2\u2019]
\narrangement for accordion: Max Bonnay (ur. 1947)
\n(1953\/1994)<\/p>\n

Henryk Miko\u0142aj G\u00f3recki (1933\u20132010)
\n<\/span><\/strong>Lento mesto ma cantabile<\/em> (cz. IV)
\nLento tranquillo, cantabile e dolce<\/em> (cz. I)
\nfrom the series Ko\u0142ysanki i ta\u0144ce<\/em> op. 47 [8\u2019]
\narrangement for violin and accordion: Karolina Miko\u0142ajczyk & Iwo Jedynecki
\n(1982\/2025*) <\/p>\n

Wa\u0142entyn Silwestrow (ur. 1937)
\n<\/span><\/strong>Intermezzo<\/em> (cz. III)
\nfrom the series Pi\u0119\u0107 utwor\u00f3w na skrzypce i fortepian<\/em> [3\u2019]
\narrangement for violin and accordion: Karolina Miko\u0142ajczyk & Iwo Jedynecki
\n(2004\/2025*)<\/p>\n

Erkki-Sven T\u00fc\u00fcr (ur. 1959)
\n<\/span><\/strong>Conversio<\/em> [10\u2019]
\narrangement for violin and accordion: Karolina Miko\u0142ajczyk & Iwo Jedynecki
\n(1994\/2025*)<\/p>\n

Just\u0117 Janulyt\u0117 (b. 1982)
\n<\/span><\/strong>Aria<\/em> [13′]
\nversion for violin and accordion
\n(2008\/2025*)<\/p>\n

Karolina Miko\u0142ajczyk, Iwo Jedynecki
\n<\/span><\/strong>Interludium II <\/em> [2\u2019]
\n(2025*)<\/p>\n

P\u0113teris Vasks
\n<\/span><\/strong>Plainscapes<\/em> (Tempo I) [9\u2019]
\narrangement for violin and accordion: Karolina Miko\u0142ajczyk & Iwo Jedynecki
\n(2002\/2025*)<\/p>\n

Karolina Mikolajczyk, Iwo Jedynecki
\n<\/span><\/strong>Epilogue<\/em> [4′]
\n(2025*)<\/p>\n

 <\/p>\n

* world premiere<\/p>\n

between the works – an acting interpretation of poems by Urszula Kozio\u0142 (1931\u20132025) <\/strong><\/p>\n

DOWNLOAD THE CONCERT PROGRAM<\/a><\/div>\n

_____<\/p>\n

PERFORMERS:<\/h4>\n

Duo: Karolina Miko\u0142ajczyk & Iwo Jedynecki
\n<\/strong>violin, accordion<\/p>\n

Pola Blasik
\n<\/strong>actress<\/p>\n

Anna Grycewicz<\/strong>
\nactress<\/p>\n

Tomasz Cyz
\n<\/strong>staging<\/p>\n

Karolina Bramowicz<\/strong>
\nspace<\/p>\n

BUY TICKET<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Music, like the art of oratory, often expresses itself as if between the sounds. Such voices can be found in melodically sensitive and frugal pieces by Valentin Silvestrov (Intermezzo), P\u0113teris Vasks (Plainscapes) and Henryk Miko\u0142aj…<\/p>\n","protected":false},"author":990013,"featured_media":9737,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-9047","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/tribe_events\/9047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/users\/990013"}],"version-history":[{"count":3,"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/tribe_events\/9047\/revisions"}],"predecessor-version":[{"id":10678,"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/tribe_events\/9047\/revisions\/10678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/media\/9737"}],"wp:attachment":[{"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/media?parent=9047"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/tags?post=9047"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.eufonie.pl\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=9047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}