Bass-baritone. Pianist. A graduate of the Academy of Music in Warsaw, where he studied singing under Dr. A. Radziejewska and piano under Prof. K. Gier\u017cod. He is a laureate of the F. Plat\u00f3wna vocal competition in Wroc\u0142aw and the Reszk\u00f3w competition in Cz\u0119stochowa. He has received scholarships from the Prime Minister, the Mayor of Cz\u0119stochowa, and the Government of Lower Austria. <\/p>\n\n
As a soloist, he has performed on most Polish philharmonic stages under the baton of distinguished conductors. He collaborates with the early music ensemble La Tempesta, among others, with whom he regularly performs and records. <\/p>\n\n
Since 2008, he has been a soloist of the Warsaw Chamber Opera, where he performs the roles of: Orbazzano (Tankred – G. Rossini), Alidoro (Cinderella – G. Rossini), Selim (The Turk in Italy – G. Rossini), Imeneo (Imeneo – G. F. Haendel), Orfeo (Orpheus and Eurydice – C. W. Gluck), Aeneas (Dido and Aeneas – Purcell), Figaro (The Marriage of Figaro – W. A. \u200b\u200bMozart), Papageno (The Magic Flute – W. A. \u200b\u200bMozart), Don Giovanni, Masetto (Don Giovanni – W. A. \u200b\u200bMozart), Dulcamara (Les d’Amore – G. Donizetti), Marsza\u0142ek (Halka – S. Moniuszko), Azariasz (The Burning Fiery Furnace – B. Britten), Severus (Polyeuktus \u2013 Z. Krauze), Ben (Telephone – Menotti), Professor (Operetta – M. Dobrzy\u0144ski). He also appeared as Severus at the Th\u00e9\u00e2tre du Capitole in Toulouse (2011). <\/p>\n\n
In May 2011, he made his debut at the National Theater Mannheim in the roles of Passante and Poliziotto in the premiere of S. Sciarrino’s Superflumina. Furthermore, working with the “Dramma per Musica” Association, he appeared on the stage of the Stanis\u0142awowski Theater in Warsaw in the roles of Pallante (Agrippina – G. F. Handel), Zoroastro (Orlando – G. F. Handel), and Melisso (Alcina – G. F. Handel). He also appeared as Il Malaspina in S. Sciarrino’s Luci mie traditrici at the “Warsaw Autumn” festival (2016) and the “NODO” festival in Ostrava (2018). <\/p>\n\n
Since November 2016, he has been collaborating with the Grand Theatre – National Opera in Warsaw, singing the roles of Zbigniew in Moniuszko’s The Haunted Manor, Escamillo in Bizet’s Carmen, and the Commander of the Guard in Hindemith’s Cardillac.<\/p>\n\n
He also appears as a guest at the Reiseopera in Enschede, Netherlands (Giulio Cesare – Handel, The Magic Flute – Mozart), the Wroc\u0142aw Opera (Cinderella – Rossini, Immanuel Kant – Mo\u017cd\u017cer), the Opera Nova in Bydgoszcz (Le nozze di Figaro – Mozart, L’elisir d’amore – Donizetti), the Baltic Opera in Gda\u0144sk (Candide – Bernstein, Don Bucefalo – Cagnoni, Fidelio – Beethoven), the Grand Theatre in \u0141\u00f3d\u017a (Le nozze di Figaro – Mozart), and the Polish Royal Opera (Rodelinda – Handel). In 2022, he made his debut at the prestigious Golden Hall of the Musikverein in Vienna.<\/p>\n\n
In 2022, he made his debut at the prestigious Golden Hall of the Musikverein in Vienna.<\/p>\n\n
Artur Janda also has an extensive oratorio repertoire, including: St. John Passion, St. Matthew Passion, Mass in B minor, Christmas oratorio – J.S. Bach, Messiah – G.F. Handel, The Seasons, The Creation, Teresian Messe – J. Haydn, Requiem, Kr\u00f6nung Messe – W.A. Mozart, Stabat Mater – A. Dvorak, Kr\u00f6nung Messe – F. Liszt, Requiem – G. Faur\u00e9, Seven Gates of Jerusalem – K. Penderecki, Te Deum – K. Kurpi\u0144ski, Te Deum – W. Kilar.<\/p>\n\n
As a member of the proMODERN Vocal Sextet of Contemporary Music (2012-2015), he received two Fryderyk 2015 awards, including in the “Most Outstanding Polish Music Recording” category for the album “Where Are You. Pieces From Warsaw.” In 2018, he received the Fryderyk 2018 award in the “Early Music Album of the Year” category for his recording of Antonio Caldara – Maddalena ai piedi di Cristo. In 2019, 2020, and 2022, he was nominated for the Jan Kiepura Theatre Music Award in the “Best Opera Singer” category. <\/p>\n","protected":false},"excerpt":{"rendered":"
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