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DTSTART;TZID=Europe/Warsaw:20261112T190000
DTEND;TZID=Europe/Warsaw:20261112T203000
DTSTAMP:20261110T152731Z
CREATED:20260930T080040Z
LAST-MODIFIED:20261110T152731Z
UID:12711-1794510000-1794515400@www.eufonie.pl
SUMMARY:Baltic Neopolis Orchestra
DESCRIPTION:The programme consists of six strongly contrasting works by composers from Poland\, Ukraine\, the Czech Republic\, Argentina\, and Serbia. Three of them were dedicated to the Baltic Neopolis Orchestra\, and each presents a different perspective on the remarkable combination of instruments that makes up a chamber string orchestra. The composers use the orchestra’s distinctive sound to express profound emotions and recall the past\, while also sweeping listeners up in dance and musical play\, with echoes of folk traditions resounding throughout.  \nSPRZEDAŻ RUSZA WKRÓTCE \nPROGRAMME \nPaweł Łukaszewski (b. 1968)\nSinfonietta \nfor string orchestra [10’] \n(2004) \nAllegro molto\nAdagio\nAndantino\nComodo   \nValentin Silvestrov / Валентин Сильвестров (b. 1937)\nSilent Music / Тиха музика \nfor string orchestra [11’]\n(2002)  \nWaltz of the Moment / Вальс мгновений\nEvening Serenade / Вечерняя серенада\nMoments of the Serenade / Мгновения серенади  \nSylvie Bodorová (b. 1954) \nConcerto dei fiori \nfor violin and string orchestra [13’]  \n(1996)  \n ****  \nMarcelo Nisinman (b. 1970)\n13 Variations on a Polish Melody\nfor violin\, cello\, and string orchestra [12’]  \n(2018)   \nAleksandar Simić (b. 1973)\nIn Memoriam \nfor string orchestra [5’]\n(2011)   \nMikołaj Piotr Górecki (b. 1971)\nAtlantis\, Op. 72\nfor 15 string instruments [12’]\nworld premiere [12.11.2026]\n(2026)  \nPERFORMERS \nBaltic Neopolis Orchestra\nEmanuel Salvador – violin\, the Orchestra’s Artistic Director\nPiotr Więcław – cello  \nSPRZEDAŻ RUSZA WKRÓTCE\nDeklaracja dostępności \nThe organizer of the event is the Baltic Neopolis Orchestra Association. The event partner is the National Centre for Culture.
URL:https://www.eufonie.pl/en/event/baltic-neopolis-orchestra-2/
LOCATION:Bałtycki Port Kultury\, Tadeusza Apolinarego Wendy 1/3\, Szczecin\, zachodniopomorskie\, 70-655
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/09/Baltic_Neopolis_Orchestra_1200x600_E.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261113T190000
DTEND;TZID=Europe/Warsaw:20261113T201000
DTSTAMP:20260929T163005Z
CREATED:20260930T080019Z
LAST-MODIFIED:20260929T163005Z
UID:12717-1794596400-1794600600@www.eufonie.pl
SUMMARY:Baltic Neopolis Orchestra
DESCRIPTION:The programme consists of six strongly contrasting works by composers from Poland\, Ukraine\, the Czech Republic\, Argentina\, and Serbia. Three of them were dedicated to the Baltic Neopolis Orchestra\, and each presents a different perspective on the remarkable combination of instruments that makes up a chamber string orchestra. The composers use the orchestra’s distinctive sound to express profound emotions and recall the past\, while also sweeping listeners up in dance and musical play\, with echoes of folk traditions resounding throughout.  \nSPRZEDAŻ RUSZA WKRÓTCE \nPROGRAMME \nPaweł Łukaszewski (b. 1968)\nSinfonietta \nfor string orchestra [10’] \n(2004)  \nAllegro molto\nAdagio\nAndantino\nComodo   \nValentin Silvestrov / Валентин Сильвестров (b. 1937)\nSilent Music / Тиха музика \nfor string orchestra [11’]\n(2002)  \nWaltz of the Moment / Вальс мгновений\nEvening Serenade / Вечерняя серенада Moments of the Serenade / Мгновения серенади  \nSylvie Bodorová (b. 1954) \nConcerto dei fiori \nfor violin and string orchestra [13’]  \n(1996)  \n ****  \nMarcelo Nisinman (b. 1970)\n13 Variations on a Polish Melody\nfor violin\, cello\, and string orchestra [12’]  \n(2018)   \nAleksandar Simić (b. 1973)\nIn Memoriam \nfor string orchestra [5’]\n(2011)   \nMikołaj Piotr Górecki (b. 1971)\nAtlantis\, Op. 72\nfor 15 string instruments [12’] – world premiere\n(2026)  \nPERFORMERS \nBaltic Neopolis Orchestra\nEmanuel Salvador – violin\, the Orchestra’s Artistic Director\nPiotr Więcław – cello  \nSPRZEDAŻ RUSZA WKRÓTCE\nDeklaracja dostępności \nThe organizer of the event is the Baltic Neopolis Orchestra Association. The event partner is the National Centre for Culture.
URL:https://www.eufonie.pl/en/event/baltic-neopolis-orchestra-3/
LOCATION:Regionalne Centrum Kultury im. Z. Herberta w Kołobrzegu\, Solna 1\, Kołobrzeg\, zachodniopomorskie\, 78-100
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/09/Baltic_Neopolis_Orchestra_1200x600_E_13XI.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261113T190000
DTEND;TZID=Europe/Warsaw:20261113T210000
DTSTAMP:20261022T115858Z
CREATED:20260811T080040Z
LAST-MODIFIED:20261022T115858Z
UID:12374-1794596400-1794603600@www.eufonie.pl
SUMMARY:Kristine Opolais | Rafał Kłoczko
DESCRIPTION:Famous soprano arias from the second half of the nineteenth century\, mostly by Italian composers\, are juxtaposed with instrumental excerpts from operas and symphonic works by composers from Central and Eastern Europe. They share numerous features – not only the rich musical language that is the hallmark of late Romanticism\, but also themes that place love above all earthly concerns: it is for love that one is willing to suffer and die; it is love that gives life meaning.  \nSPRZEDAŻ RUSZA WKRÓTCE \nPROGRAMME \nRoman Statkowski (1859–1925)\nOverture to the opera Maria [9’]  \nFrancesco Cilea (1866–1950)\nAdriana’s aria ‘Io son l’umile ancella’ from Act I from the opera Adriana Lecouvreur [4’] \n(1902)\nwords by Arturo Colautti (1851–1914)  \nAmilcare Ponchielli\nDance of the Hours from Act III from the opera Gioconda [10’] \nGioconda’s aria ‘Suicidio’ from Act IV from the opera Gioconda [5’] \nwords by Arrigo Boito (1842–1918) \nHenryk Jarecki (1846–1918)\nIntroduction to Act III from the opera Mindaugas\, King of Lithuania [4’]\n(1879) \nUmberto Giordano (1867–1948) \nMaddalena’s aria ‘La mamma morta’ from Act III from the opera Andrea Chénier [5’] \nwords by Luigi Illica (1857–1919) \nGiacomo Puccini (1858–1924)\nPrelude and La Tregenda from Act II from the opera Le Villi [7’]  \nGiuseppe Verdi (1813–1901)\nLeonora’s aria ‘Pace\, pace\, mio Dio’ from Act IV from the opera La forza del destino [7’]\nwords by Francesco Maria Piave (1810–1876) \n*** \nZygmunt Noskowski (1846–1909)\nPrelude to Act II from the opera Livia Quintilla [5’]  \nAlfredo Catalani (1854–1893)\nWally’s aria ‘Ebben? Ne andrò lontana’ from Act I from the opera La Wally [4’] \nwords by Luigi Illica  \nZoltán Kodály (1882–1967)\nSuite from the opera Háry János\, mov. V Intermezzo[5’] \nRichard Strauss (1864–1949)\n‘Cäcilie’\, No. 2 from the cycle Four Songs\, op. 34 27 [3’] \nversion for orchestra\nwords by Heinrich Hart (1855–1906)  \nGiacomo Puccini (1858–1924)\nIntermezzo to Act III from the opera Manon Lescaut [5’] \nAria Cio-Cio-San „Un bel dì\, vedremo” z II aktu operyMadame Butterfly[4’]\nwords by Luigi Illica\, Giuseppe Giacosa (1847–1906) \nLeoš Janáček (1854–1928)\nStarodávný I\, No. 1 from the cycle Lachian Dances / Lašské tance [7’]  \nAntonín Dvořák (1841–1904)\nRusalka’s song ‘Měsíčku na nebi hlubokém’ from Act I from the opera Rusalka [7’]\nwords by Jaroslav Kvapil (1868–1950) \n  \nPERFORMERS \nOrchestra of the Grand Theatre in Łódź  \nRafał Kłoczko– dyrygent  \nKristine Opolais– sopran \nThe event is organized by the National Center for Culture. Partner of the event is the Grand Theater in Łódź.\nTicket salesare handled byby the Grand Theater in Łódź. \nSPRZEDAŻ RUSZA WKRÓTCE \nDeclaration of availability
URL:https://www.eufonie.pl/en/event/kristine-opolais-rafal-kloczko/
LOCATION:Teatr Wielki w Łodzi\, plac Gen. Henryka Dąbrowskiego\, Łódź\, łódzkie\, 90-249
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Kristine_Opolais_1200x600_E-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261114T190000
DTEND;TZID=Europe/Warsaw:20261114T203000
DTSTAMP:20261110T153600Z
CREATED:20260811T080009Z
LAST-MODIFIED:20261110T153600Z
UID:12192-1794682800-1794688200@www.eufonie.pl
SUMMARY:Baltic Neopolis Orchestra
DESCRIPTION:The programme consists of six strongly contrasting works by composers from Poland\, Ukraine\, the Czech Republic\, Argentina\, and Serbia. Three of them were dedicated to the Baltic Neopolis Orchestra\, and each presents a different perspective on the remarkable combination of instruments that makes up a chamber string orchestra. The composers use the orchestra’s distinctive sound to express profound emotions and recall the past\, while also sweeping listeners up in dance and musical play\, with echoes of folk traditions resounding throughout.  \nSPRZEDAŻ RUSZA WKRÓTCE\nPROGRAMME \nPaweł Łukaszewski (b. 1968)\nSinfonietta \nfor string orchestra [10’] \n(2004)  \nAllegro molto\nAdagio\nAndantino\nComodo  \nValentin Silvestrov / Валентин Сильвестров (b. 1937)\nSilent Music / Тиха музика \nfor string orchestra [11’]\n(2002)  \nWaltz of the Moment / Вальс мгновений\nEvening Serenade / Вечерняя серенада\nMoments of the Serenade / Мгновения серенади   \nSylvie Bodorová (b. 1954) \nConcerto dei fiori \nfor violin and string orchestra [13’]  \n(1996) \n****  \nMarcelo Nisinman (b. 1970)\n13 Variations on a Polish Melody\nfor violin\, cello\, and string orchestra [12’]  \n(2018)  \nAleksandar Simić (b. 1973)\nIn Memoriam \nfor string orchestra [5’]\n(2011)  \nMikołaj Piotr Górecki (b. 1971)\nAtlantis\, Op. 72\nfor 15 string instruments [12’] – world premiere\n(2026)  \nPERFORMERS \nBaltic Neopolis Orchestra\nEmanuel Salvador – violin\, the Orchestra’s Artistic Director \nPiotr Więcław – cello \nSPRZEDAŻ RUSZA WKRÓTCE\nDeklaracja dostępności \n       
URL:https://www.eufonie.pl/en/event/baltic-neopolis-orchestra/
LOCATION:Nowa Miodowa\, ul. Rakowiecka 21\, Warszawa\, mazowieckie\, 02-517
CATEGORIES:Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Baltic_Neopolis_Orchestra_1200x600_E_14XI.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261116T190000
DTEND;TZID=Europe/Warsaw:20261116T210000
DTSTAMP:20261027T155453Z
CREATED:20260930T080040Z
LAST-MODIFIED:20261027T155453Z
UID:12744-1794855600-1794862800@www.eufonie.pl
SUMMARY:Vocal Music of Zygmunt Noskowski
DESCRIPTION:Zygmunt Noskowski composed songs throughout his entire artistic life. They are an expression of his openness to artistic stimuli that fit into very different poetics. They include works set to Old Polish\, Romantic\, Positivist\, and Young Polish texts. Perhaps the latter are the most intriguing\, given the fact that Noskowski is known mainly as an opponent of modernism\, at least in relation to music. The diversity of sources of poetic inspiration corresponds to the wealth of ideas revealed in his songs.  \nSPRZEDAŻ RUSZA WKRÓTCE\nPROGRAMME \nZygmunt Noskowski (1846–1909)  \nStary pies i sługa  \nDwa żółwie  \nDzieci i żaby  \nZajączek  \nPtaszki w klatce  \nnr 1\, 2\, 3\, 4 i 6 z cyklu Bajki Ignacego Krasickiego   \nna głos i fortepian op. 1  \nsłowa: Ignacy Krasicki (1735–1801)  \n(1874–1878)  \n   \nSerenada i dumka   \nna głos i fortepian op. 54  \nsłowa: autor nieznany  \n(1897)  \nLśni księżyc na ciemnym niebie  \nDrobną rutę siała  \n   \nAstry  \nnr 1 z cyklu Dwie pieśni   \nna głos i fortepian op. 55  \nsłowa: Adam Asnyk (1838–1897)  \n(ok. 1895)  \n   \nDwie pieśni   \nna głos i fortepian op. 58   \n(ok. 1899)  \nPożegnanie  \nsłowa: Władysław Noskowski (1841–1881)  \nProśba   \nsłowa: A. M.  \n   \nDwie pieśni   \nna głos i fortepian op. 61  \nsłowa: Marian Gawalewicz (1852–1910)  \n(ok. 1899)  \nZ pielgrzymich piosenek  \nKrótka rozpacz  \n   \nTrzy pieśni   \nna głos fortepian op. 62   \nsłowa: Marian Gawalewicz  \n(ok. 1899)   \nSmutno  \nPraktyczna  \nZ wiosennych strof  \n   \nTrzy pieśni   \nna głos i fortepian op. 68   \n(1898)  \nPieśń jesienna  \nsłowa: Jan Grawe-Wyszyński (lata życia nieznane)  \nMotyw ludowy   \nsłowa: Józef Kościelski (1845–1911)  \nSłuchaj\, dziewczę jedyne   \nsłowa: Władysław Nawrocki (1870–1931)  \n   \n——przerwa——-  \n   \nDwie pieśni   \nna głos i fortepian op. 69  \n(ok. 1900)  \n                Z wiosennych tchnień (Czy wiesz\, dziewczyno?)  \nsłowa: Jan Grawe-Wyszyński  \nNoc  \nsłowa: Władysław Nawrocki  \n   \nDwie pieśni   \nna głos i fortepian op. 70   \n(ok. 1900)  \nPytasz się   \nsłowa: Zygmunt Krasiński (1812–1859)  \nNa rozdrożu (Krakowiak)  \nsłowa: Władysław Noskowski  \n   \nDwie pieśni   \nna głos i fortepian op. 71  \n   \nZ wiosennych tchnień (1899)  \nsłowa: Marian Gawalewicz  \nPieśń sępa (1875)  \nsłowa: Mieczysław Romanowski (1833–1863)  \n   \nLimba   \nsłowa: Kazimierz Przerwa-Tetmajer (1865–1940)  \nCzym to się dzieje\, moje słońce   \nsł. Karol Brzozowski (1821–1904)  \nPolały się łzy   \nsłowa: Adam Mickiewicz (1798–1855)  \nnr 1\, 2 i 3 z cyklu Cztery pieśni   \nna głos i fortepian op. 73   \n(ok. 1900)  \n   \n   \nTrzy pieśni   \nna głos i fortepian op. 74   \n   \nBiałe mgły (ok. 1882)  \nsłowa: Sławomir Stecki (1858–1886)  \nDo fiołków (1872)  \nsłowa: Maciej Kazimierz Sarbiewski (1595–1640)\, Oda XV  \nprzekład na język polski: Władysław Syrokomla (1823–1862)  \nLulajże mi (ok. 1900)  \nsłowa: Sławomir Stecki  \n   \nTrzy pieśni   \nna głos i fortepian op. 77   \nsłowa: Stanisław Wyspiański (1869–1907)  \n(1906–1908)  \nPieśń gędźców  \nPieśń Ofelii o kwiatku  \nPieśń Ofelii o wieńcu z wierzbiny  \n   \nKolęda Witaj\, gwiazdko złota   \nna głos i fortepian  \nsłowa: Stanisław Marek Rzętkowski (1843–1897)  \n(1861)  \n   \nKrakowiak Skowroneczek śpiewa   \nna głos i fortepian  \nsłowa: autor nieznany  \n(ok. 1894)  \n   \nPERFORMERS \nStudents of the Department of Vocal and Acting Studies and the Department of Instrumental Studies at the Fryderyk Chopin University of Music \nArtistic Supervision \nAssoc. Prof. Eugenia Rezler\nProf. Dr. Hab. Joanna Maklakiewicz \nThe co-organizers of the event are the Fryderyk Chopin University of Music and the National Centre for Culture.
URL:https://www.eufonie.pl/en/event/vocal-music-of-zygmunt-noskowski/
LOCATION:Sala Koncertowa Uniwersytetu Muzycznego Fryderyka Chopina\, Okólnik 2\, Warszawa\, mazowieckie\, 00-368
CATEGORIES:Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/09/Noskowskieufoniewww1200x600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261117T190000
DTEND;TZID=Europe/Warsaw:20261117T201500
DTSTAMP:20261110T124616Z
CREATED:20260930T080059Z
LAST-MODIFIED:20261110T124616Z
UID:12728-1794942000-1794946500@www.eufonie.pl
SUMMARY:[SOLD OUT] Kurtág | Kafka | Kaffka
DESCRIPTION:Kafka-Fragmente by György Kurtág is a masterpiece of late twentieth–century vocal music. The Hungarian composer\, who celebrates his hundredth birthday this year\, set fragments from Franz Kafka’s letters\, diaries\, and aphorisms in their original German. Lasting almost an hour\, the work comprises forty sections\, ranging in length from a dozen or so seconds to seven minutes. The evening will conclude with readings of Kafka’s letters to Milena by actors\, in translations by Feliks Konopka and Elżbieta Ptaszyńska-Sadowska\, alongside poems and excerpts from letters by the Hungarian poet Margit Kaffka\, translated by Anna Butrym especially for this occasion.  \nPROGRAMME \nGyörgy Kurtág (b. 1926) \nKafka-Fragmente\, Op. 24\nfor soprano and violin [50’]\nwords: fragments of Franz Kafka’s (1883–1918) notes\, diaries\, and letters \n(1985–1987)  \nPart I\n1. Die Guten gehn im gleichen Schritt… \n2. Wie ein Weg im Herbst \n3. Verstecke \n4. Ruhelos \n5. Berceuse I \n6. Nimmermehr (Excommunicatio) \n7. „Wenn er mich immer frägt“ \n8. Es zupfte mich jemand am Kleid \n9. Die Weissnäherinnen \n10. Szene am Bahnhof \n11. Sonntag\, den 19. Juli 1910 (Berceuse II\, Hommage à Jeney)  \n12. Meine Ohrmuschel… \n13. Einmal brach ich mir das Bein (Chassidischer Tanz) \n14. Umpanzert \n15. Zwei Spazierstöcke (Authentisch – plagal) \n16. Keine Rückkehr \n17. Stolz (1920/15. November\, Zehn Uhr) \n18. Träumend hing die Blume (Hommage à Schumann) \n19. Nichts dergleichen   \nPart II\nDer wahre Weg (Hommage-message à Pierre Boulez)   \nPart III\n1. Haben? Sein? \n2. Der Coitus als Bestrafung (Canticulum Mariae Magdalenae) \n3. Meine Festung \n4. Schmutzig bin ich\, Milena… \n5. Elendes Leben (Double) \n6. Der begrenzte Kreis \n7. Zeil\, Weg\, Zögern \n8. So fest \n9. Verstecke (Double) \n10. Penetrant jüdisch \n11. Staunend sahen wir das grosse Pferd \n12. Szene in der Elektrischen (1910: „Ich bat im Traum die Tänzerin Eduardowa\, sie möchte doch den Csárdás noch einmal tanzen…”)  \nPart IV\n1. Zu spät (22. Oktober 1913) \n2. Eine lange Geschichte \n3. In memoriam Robert Klein\n4. Aus einem alten Notizbuch \n5. Leoparden \n6. In Memoriam Joannis Pilinszky\n7. Wiederum\, wiederum \n8. Es blendete uns die Mondnacht…   \nFranz Kafka\nLetters to Milena (excerpts)\ntranslated into Polish by: Feliks Konopka\, Elżbieta Ptaszyńska-Sadowska  \nMargit Kaffka (1880–1918) \nLetters and Poems (selection)\ntranslated into Polish by: Anna Butrym  \nPERFORMERS \nAleksandra Żakiewicz – soprano\nMaria Kapsiak – violin\nRobert Więckiewicz – voice \nWeronika Humaj – voice\nTomasz Cyz – concept and direction \nAnna Dyakowska – artwork  \nThe co-organizer of the event is the Hungarian Cultural Institute. Special thanks go to Anna Butrym\, Noémi Szécsi\, and Gáspár Kertész for their assistance in selecting the texts by Margit Kaffka.
URL:https://www.eufonie.pl/en/event/kurtag-kafka-kaffka/
LOCATION:Pałac Rzeczypospolitej\, Plac Krasińskich 3/5\, Warszawa\, mazowieckie\, 00-207
CATEGORIES:Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/09/Kurtag_Kafka_1200x600_E.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261118T190000
DTEND;TZID=Europe/Warsaw:20261118T212000
DTSTAMP:20261027T160207Z
CREATED:20260811T080051Z
LAST-MODIFIED:20261027T160207Z
UID:12375-1795028400-1795036800@www.eufonie.pl
SUMMARY:Krauze | Mahler | Shemet
DESCRIPTION:Music invites contemplation of places regarded as sacred and reflection on the destruction wrought by humankind. Spróbuj opiewać okaleczony świat [Try to Praise the Mutilated World] is Zygmunt Krauze’s latest composition\, based on Adam Zagajewski’s famous poem\, which calls for finding joy in everyday life. Krauze’s Piano Concerto No. 2\, inspired by the composer’s travels\, expresses admiration and respect for the world’s cultural diversity. Gustav Mahler’s Symphony No. 4 evokes a longing for an idyllic\, childlike vision of Heaven\, undermined by the composer’s subtle irony.  \nSPRZEDAŻ RUSZA WKRÓTCE\nPROGRAMME \nZygmunt Krauze (b. 1938)\nTry to Praise the Mutilated World\nfor soprano and orchestra [12’] – world premiere\nwords by Adam Zagajewski (1945–2021)\n(2026)  \nPiano Concerto No. 2 [35’]\n(1996) \nDelphi\nTheotihuacan\nKyongju\nJerusalem  \n****  \nGustav Mahler (1860–1911)\nSymphony No. 4 in G major\nfor soprano and large symphony orchestra [54’]\nwords in mov. IV: text of the folk song Das himmlische Leben from the collection The Boy’s Magic Horn / Des Knaben Wunderhorn\n(1900)  \nBedächtig. Nicht eilen\nIn gemächlicher Bewegung. Ohne Hast\nRuhevoll (Poco adagio) \nSehr behaglich  \n______  \nPERFORMERS \nSymphony Orchestra of the Silesian Philharmonic\nYaroslav Shemet – conductor\, the Orchestra’s Artistic Director\nJoanna Kędzior – soprano\nZygmunt Krauze – piano 
URL:https://www.eufonie.pl/en/event/krauze-mahler-shemet-2/
LOCATION:The Warsaw Philharmonic\, Concert Hall\, Jasna 5\, Warszawa\, 00-950
CATEGORIES:Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Krauze_Mahler_1200x600_E.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261120T190000
DTEND;TZID=Europe/Warsaw:20261120T212000
DTSTAMP:20260929T165949Z
CREATED:20260930T080053Z
LAST-MODIFIED:20260929T165949Z
UID:12732-1795201200-1795209600@www.eufonie.pl
SUMMARY:Mahler – Symphony No. 4 | Kędzior | Krauze | Shemet | Symphony Orchestra
DESCRIPTION:Music invites contemplation of places regarded as sacred and reflection on the destruction wrought by humankind. Spróbuj opiewać okaleczony świat [Try to Praise the Mutilated World] is Zygmunt Krauze’s latest composition\, based on Adam Zagajewski’s famous poem\, which calls for finding joy in everyday life. Krauze’s Piano Concerto No. 2\, inspired by the composer’s travels\, expresses admiration and respect for the world’s cultural diversity. Gustav Mahler’s Symphony No. 4 evokes a longing for an idyllic\, childlike vision of Heaven\, undermined by the composer’s subtle irony.  \n[buy-ticket] \nPROGRAMME \nZygmunt Krauze (b. 1938)  \nTry to Praise the Mutilated World\nfor soprano and orchestra [12’] – world premiere\nwords by Adam Zagajewski (1945–2021)\n(2026)   \nPiano Concerto No. 2 [35’]\n(1996)  \nDelphi\nTheotihuacan\nKyongju\nJerusalem   \n****   \nGustav Mahler (1860–1911)\nSymphony No. 4 in G major\nfor soprano and large symphony orchestra [54’]\nwords in mov. IV: text of the folk song Das himmlische Leben from the collection The Boy’s Magic Horn / Des Knaben Wunderhorn\n(1900)  \nBedächtig. Nicht eilen\nIn gemächlicher Bewegung. Ohne Hast\nRuhevoll (Poco adagio) \nSehr behaglich  \nPERFORMERS \nSymphony Orchestra of the Silesian Philharmonic\nYaroslav Shemet – conductor\, the Orchestra’s Artistic Director\nJoanna Kędzior – soprano\nZygmunt Krauze – piano  \nDeklaracja dostępności \nThe event is organized by the Henryk Mikołaj Górecki Silesian Philharmonic. The event partner is the National Centre for Culture.
URL:https://www.eufonie.pl/en/event/mahler-symphony-no-4-kedzior-krauze-shemet-symphony-orchestra/
LOCATION:Silesian Philharmonic\, Karol Stryja Concert Hall\, Sokolska 2\, Katowice\, 40-084
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/09/Krauze_Mahler_1200x600_E_20xi.jpg
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DTSTART;TZID=Europe/Warsaw:20261120T193000
DTEND;TZID=Europe/Warsaw:20261120T213000
DTSTAMP:20260929T171532Z
CREATED:20260930T080025Z
LAST-MODIFIED:20260929T171532Z
UID:12737-1795203000-1795210200@www.eufonie.pl
SUMMARY:odNova Polish Music Festival | Penderecki: Credo | Klauza
DESCRIPTION:Credo is considered one of Krzysztof Penderecki’s most significant sacred works. By expanding the liturgical Creed with songs and hymns in three languages\, the composer deliberately moved beyond purely theological considerations and the precision of dogma. As a result\, the work becomes a personal profession of the composer’s faith. Credo captivates us with its precise construction\, the breadth of its expressive resources\, and the power of its large body of performers\, which together give the work’s message its strength and clarity.  \n[buy-ticket] \nPROGRAMME \nLudwig van Beethoven (1770–1827)  \nPiano Concerto No. 3 in C minor\, Op. 37 [34’]\n(1800)  \nAllegro con brio\nLargo\nRondo: Allegro   \nKrzysztof Penderecki (1933–2020)  \nCredo\nfor five solo voices\, children’s choir\, mixed choir\, and orchestra [51’]  \nwords: fragments of texts from the Latin liturgy (Credo\, Pange lingua\, Popule meus\, Salve festa dies\, Haec dies)\, the Book of Revelation\, Polish religious songs (Ludu\, mój ludu\, Któryś cierpiał)\, and a Protestant psalm (Aus tiefer Not)\n(1998)  \nCredo in unum Deum\nQui propter nos homines\nEt incarnatus est\nCrucifixus\nCrucem tuam adoramus Domine\nEt resurrexit\nEt in Spiritum Sanctum\nConfiteor\nEt vitam  \nPERFORMERS \nOrchestra and Choir of the Kraków Philharmonic\nBoys’ and Girls’ Choir of the Kraków Philharmonic\nUkrainian Boys’ and Girls’ Choir of the Kraków Philharmonic  \nMichał Klauza – conductor\, the Orchestra’s Artistic Director\nAmir Ron – piano\nNatalia Rubiś – soprano I\nKarolina Sikora – soprano II\nAnna Radziejewska – alto\nRafał Żurek – tenor\nArtur Janda – bass\nJanusz Wierzgacz – preparation of the Choir of the Kraków Philharmonic\nLidia Matynian – preparation of the Boys’ and Girls’ Choir of the Kraków Philharmonic\nOlena Yatskulynets – preparation of the Ukrainian Boys’ and Girls’ Choir of the Kraków Philharmonic  \nDeklaracja dostępności \n The event is organized by the Karol Szymanowski Philharmonic in Kraków. The event partner is the National Centre for Culture. The event accompanies the Polish Music odNova Festival.
URL:https://www.eufonie.pl/en/event/odnova-polish-music-festival-penderecki-credo-klauza/
LOCATION:The Cracow Philharmonic\, Zwierzyniecka 1\, Kraków\, 31-103
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/09/Polska_od_Nova_20_11eufoniewww1200x600.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261123T190000
DTEND;TZID=Europe/Warsaw:20261123T200000
DTSTAMP:20261029T171317Z
CREATED:20260528T121236Z
LAST-MODIFIED:20261029T171317Z
UID:11628-1795460400-1795464000@www.eufonie.pl
SUMMARY:Penderecki: Credo | Klauza
DESCRIPTION:Credo is one of Krzysztof Penderecki’s finest oratorio works\, alongside such compositions as St. Luke Passion and Seven Gates of Jerusalem. Initially conceived as part of a complete Mass cycle\, it was eventually expanded by the composer into an independent\, monumental work.  \nThe textual basis of the composition is the Latin Creed\, enriched with excerpts from the Holy Week liturgy\, the Protestant chorale Aus tiefer Not\, the Polish Lenten hymn Ludu mój ludu\, and the supplicatory invocation Któryś za nas cierpiał rany. This combination of diverse traditions and sources creates a multidimensional\, ecumenical spiritual space. Together with its powerful performing forces\, Credo becomes a deeply moving work in both its spiritual and artistic dimensions.  \nPROGRAMME: \nKrzysztof Penderecki  \n„Credo” \n_______  \nPERFORMERS: \nCracow Philharmonic Orchestra and Choir\nBoys’ and Girls’ Choir of the Kraków Philharmonic\nUkrainian Children’s Choir of the Kraków Philharmonic\n\nMichał Klauza – conductor\nNatalia Rubiś – soprano I\nKarolina Sikora – soprano II\nAnna Radziejewska – alto\nTBA – tenor\nArtur Janda – bass\n\nJanusz Wierzgacz – choir preparation\nLidia Matynian/Maria Dziedzic-Król – preparation of the Boys’ and Girls’ Choir of the Kraków Philharmonic\nOlena Yatskulynets – preparation of the Ukrainian Children’s Choir of the Kraków Philharmonic
URL:https://www.eufonie.pl/en/event/penderecki-credo-klauza/
LOCATION:The Warsaw Philharmonic\, Concert Hall\, Jasna 5\, Warszawa\, 00-950
CATEGORIES:Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/05/Penderecki_23XI_wwa_1200x600_E.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261125T190000
DTEND;TZID=Europe/Warsaw:20261125T210000
DTSTAMP:20261109T161833Z
CREATED:20260825T120035Z
LAST-MODIFIED:20261109T161833Z
UID:12235-1795633200-1795640400@www.eufonie.pl
SUMMARY:[Sold Out] Baasch: film music
DESCRIPTION:He creates song-oriented electro-pop\, but also composes soundtracks for films and theatre performances. During the Eufonie Festival\, he will present the Highest Point project\, combining elements of a concert\, installation\, and performance. We will see a new\, autonomous stage form and hear music based on Baasch’s works previously created for cinema and theatre. In terms of sound\, it will be a synthesis of dance rhythms\, ambient textures\, and classical instruments. Aleksandr Prowaliński is responsible for the project’s stage and lighting design.     \nSold out \nPROGRAMME \nHighest Point \nA concert-installation based on motifs and excerpts from film and theatre music by Baasch\, transformed into a new\, autonomous stage work.  \nPERFORMERS \nBaasch\nstage design and lighting direction: Aleksandr Prowaliński  \nSold out \nDeclaration of availability
URL:https://www.eufonie.pl/en/event/baasch-muzyka-filmowa/
LOCATION:Nowy Teatr\, Antoniego Józefa Madalińskiego 10/16\, Warszawa\, 02-513\, Poland
CATEGORIES:Altersounds,Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Baasch_1200x600_E2.jpg
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DTSTART;TZID=Europe/Warsaw:20261127T193000
DTEND;TZID=Europe/Warsaw:20261127T210000
DTSTAMP:20261005T081624Z
CREATED:20260528T123314Z
LAST-MODIFIED:20261005T081624Z
UID:11626-1795807800-1795813200@www.eufonie.pl
SUMMARY:Liepāja Symphony Orchestra | Kuzma
DESCRIPTION:The concert programme presents works by 20th- and 21st-century composers from three countries bordering the Baltic Sea: Poland\, Latvia\, and Finland. \nHenryk Mikołaj Górecki’s Three Pieces in an Old Style (1963) were allegedly composed in response to a friendly ‘criticism’ by Tadeusz Ochlewski\, who claimed that Górecki’s music lacked melody. As the title of this short cycle suggests\, the composer refers to the styles of past eras: modal elements appear in all three movements; the third uses a melody from an anonymous 16th-century song\, while the second pulses with the rhythm of an old folk dance. \nIn Vox Amoris\, a one-movement fantasy for violin and string orchestra (2009)\, Latvian composer Pēteris Vasks gives voice to love as ‘the most powerful force in the world’. The violin and orchestra – ‘the best combination for a “love story”’\, as the composer put it – create a narrative that is initially subtle and lyrical\, but then gains dramatic momentum in the climactic cadenza\, resolving into a calm\, melancholic conclusion. \nThe second part of the concert features Sibelius’s monumental Symphony No. 2 (1902)\, which his contemporaries interpreted as a voice in Finland’s struggle for independence – a view the composer himself denied. Written shortly after the death of his daughter\, Sibelius described it as a ‘confession of the soul’. The second movement\, including motifs of death and resurrection\, can be heard as a musical portrayal of grief and the search for consolation. The victory of hope over darkness is also symbolised by the triumphant finale following the dramatic third movement. \nPROGRAMME: \nHenryk Mikołaj Górecki\nThree Pieces in an Old Style for string orchestra \nPēteris Vasks\nVox Amoris. Fantasy for violin and string orchestra \n****** \nJean Sibelius\nSymphony No. 2 in D major\, Op. 43 43 \n______ \nPERFORMERS: \nLiepāja Symphony Orchestra \nGuntis Kuzma – conductor \nKristine Balanas – violin \n 
URL:https://www.eufonie.pl/en/event/liepaja-symphony-orchestra-kuzma/
LOCATION:The Warsaw Philharmonic\, Concert Hall\, Jasna 5\, Warszawa\, 00-950
CATEGORIES:Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/05/LSOeufoniewww1200x600-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20261127T200000
DTEND;TZID=Europe/Warsaw:20261127T213000
DTSTAMP:20261027T154321Z
CREATED:20260825T120056Z
LAST-MODIFIED:20261027T154321Z
UID:12241-1795809600-1795815000@www.eufonie.pl
SUMMARY:[SOLD OUT] Etnobotanika: Kosmobotanika | Planetarium
DESCRIPTION:SOLD OUT \nThe Silesian duo Etnobotanika specialises in evoking sonic ghosts of the past. It weaves samples from bygone times into dreamlike electronic music and dance rhythms. As part of the Eufonie Festival\, the duo will present the album Kosmobotanika\, which tells a musical story of how space travel was imagined in the Polish People’s Republic. During the concert\, Etnobotanika’s recordings will take on a more club-oriented sound\, accompanied by fragments of Polish science-fiction films. The event will take place at the Planetarium at the Copernicus Science Centre. \nPROGRAMME \nEtnobotanika\nTracks from the album Kosmobotanika (2025) \nPERFORMERS \nEtnobotanika \nDeclaration of availability \nWFDiF jest Partnerem projektu i właścicielem praw do filmów.
URL:https://www.eufonie.pl/en/event/wyprzedane-etnobotanika-kosmobotanika-planetarium/
LOCATION:Centrum Nauki Kopernik\, Planetarium\, ul. Wybrzeże Kościuszkowskie 20\, Warszawa\, mazowieckie\, 00-390
CATEGORIES:Altersounds,Warsaw
ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Etno_1200x600_E.jpg
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