BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Festiwal Eufonie - ECPv6.17.5//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Festiwal Eufonie X-ORIGINAL-URL:https://www.eufonie.pl/en/ X-WR-CALDESC:Events for Festiwal Eufonie REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Warsaw BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20260329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20261025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20270328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20271031T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Warsaw:20261113T190000 DTEND;TZID=Europe/Warsaw:20261113T210000 DTSTAMP:20260811T080040Z CREATED:20260811T080040Z LAST-MODIFIED:20260811T080040Z UID:12374-1794596400-1794603600@www.eufonie.pl SUMMARY:Kristine Opolais | Rafał Kłoczko DESCRIPTION:Famous soprano arias from the second half of the nineteenth century\, mostly by Italian composers\, are juxtaposed with instrumental excerpts from operas and symphonic works by composers from Central and Eastern Europe. They share numerous features – not only the rich musical language that is the hallmark of late Romanticism\, but also themes that place love above all earthly concerns: it is for love that one is willing to suffer and die; it is love that gives life meaning. \nSPRZEDAŻ RUSZA WKRÓTCE \nPROGRAMME \nRoman Statkowski (1859–1925)\nOverture to the opera Maria [9’] \nFrancesco Cilea (1866–1950)\nAdriana’s aria ‘Io son l’umile ancella’ from Act I from the opera Adriana Lecouvreur [4’] \n(1902)\nwords by Arturo Colautti (1851–1914) \nAmilcare Ponchielli\nDance of the Hours from Act III from the opera Gioconda [10’] \nGioconda’s aria ‘Suicidio’ from Act IV from the opera Gioconda [5’] \nwords by Arrigo Boito (1842–1918) \nHenryk Jarecki (1846–1918)\nIntroduction to Act III from the opera Mindaugas\, King of Lithuania [4’] (1879) \nUmberto Giordano (1867–1948) \nMaddalena’s aria ‘La mamma morta’ from Act III from the opera Andrea Chénier [5’] \nwords by Luigi Illica (1857–1919) \nGiacomo Puccini (1858–1924)\nPrelude and La Tregenda from Act II from the opera Le Villi [7’] \nGiuseppe Verdi (1813–1901)\nLeonora’s aria ‘Pace\, pace\, mio Dio’ from Act IV from the opera La forza del destino [7’]\nwords by Francesco Maria Piave (1810–1876) \n*** \nZygmunt Noskowski (1846–1909)\nPrelude to Act II from the opera Livia Quintilla [5’] \nAlfredo Catalani (1854–1893)\nWally’s aria ‘Ebben? Ne andrò lontana’ from Act I from the opera La Wally [4’] \nwords by Luigi Illica \nZoltán Kodály (1882–1967)\nSuite from the opera Háry János\, mov. V Intermezzo[5’] \nRichard Strauss (1864–1949)\n‘Cäcilie’\, No. 2 from the cycle Four Songs\, op. 34 27 [3’] \nversion for orchestra\nwords by Heinrich Hart (1855–1906) \nGiacomo Puccini (1858–1924)\nIntermezzo to Act III from the opera Manon Lescaut [5’] \nAria Cio-Cio-San „Un bel dì\, vedremo” z II aktu operyMadame Butterfly[4’]\nwords by Luigi Illica\, Giuseppe Giacosa (1847–1906) \nLeoš Janáček (1854–1928)\nStarodávný I\, No. 1 from the cycle Lachian Dances / Lašské tance [7’] \nAntonín Dvořák (1841–1904)\nRusalka’s song ‘Měsíčku na nebi hlubokém’ from Act I from the opera Rusalka [7’]\nwords by Jaroslav Kvapil (1868–1950) \n  \nPERFORMERS \nOrchestra of the Grand Theatre in Łódź \nRafał Kłoczko– dyrygent \nKristine Opolais– sopran \nThe event is organized by the National Center for Culture. Partner of the event is the Grand Theater in Łódź.\nTicket salesare handled byby the Grand Theater in Łódź. \nSPRZEDAŻ RUSZA WKRÓTCE \nDeclaration of availability URL:https://www.eufonie.pl/en/event/kristine-opolais-rafal-kloczko/ LOCATION:Teatr Wielki w Łodzi\, plac Gen. Henryka Dąbrowskiego\, Łódź\, łódzkie\, 90-249 ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Kristine_Opolais_NoPhotoeufoniewww1200x600.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Warsaw:20261114T190000 DTEND;TZID=Europe/Warsaw:20261114T210000 DTSTAMP:20260901T094338Z CREATED:20260811T080009Z LAST-MODIFIED:20260901T094338Z UID:12192-1794682800-1794690000@www.eufonie.pl SUMMARY:Baltic Neopolis Orchestra DESCRIPTION:The programme consists of six strongly contrasting works by composers from Poland\, Ukraine\, the Czech Republic\, Argentina\, and Serbia. Three of them were dedicated to the Baltic Neopolis Orchestra\, and each presents a different perspective on the remarkable combination of instruments that makes up a chamber string orchestra. The composers use the orchestra’s distinctive sound to express profound emotions and recall the past\, while also sweeping listeners up in dance and musical play\, with echoes of folk traditions resounding throughout.  \nSPRZEDAŻ RUSZA WKRÓTCE\nPaweł Łukaszewski (b. 1968)\nSinfonietta \nfor string orchestra [10’] \n(2004)  \nAllegro molto\nAdagio\nAndantino\nComodo  \nValentin Silvestrov / Валентин Сильвестров (b. 1937)\nSilent Music / Тиха музика \nfor string orchestra [11’]\n(2002)  \nWaltz of the Moment / Вальс мгновений\nEvening Serenade / Вечерняя серенада\nMoments of the Serenade / Мгновения серенади   \nSylvie Bodorová (b. 1954) \nConcerto dei fiori \nfor violin and string orchestra [13’]  \n(1996) \n****  \nMarcelo Nisinman (b. 1970)\n13 Variations on a Polish Melody\nfor violin\, cello\, and string orchestra [12’]  \n(2018)  \nAleksandar Simić (b. 1973)\nIn Memoriam \nfor string orchestra [5’]\n(2011)  \nMikołaj Piotr Górecki (b. 1971)\nAtlantis\, Op. 72\nfor 15 string instruments [12’] – world premiere\n(2026)  \nPerformers  \nBaltic Neopolis Orchestra\nEmanuel Salvador – violin\, the Orchestra’s Artistic Director \nPiotr Więcław – cello \nSPRZEDAŻ RUSZA WKRÓTCE\nDeklaracja dostępności \n        URL:https://www.eufonie.pl/en/event/baltic-neopolis-orchestra/ LOCATION:Nowa Miodowa\, ul. Rakowiecka 21\, Warszawa\, mazowieckie\, 02-517 CATEGORIES:Warsaw ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Baltic_Neopolis_Orchestraeufoniewww1200x600.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Warsaw:20261118T190000 DTEND;TZID=Europe/Warsaw:20261118T210000 DTSTAMP:20260925T144021Z CREATED:20260811T080051Z LAST-MODIFIED:20260925T144021Z UID:12375-1795028400-1795035600@www.eufonie.pl SUMMARY:Krauze | Mahler | Shemet DESCRIPTION:Music invites contemplation of places regarded as sacred and reflection on the destruction wrought by humankind. Spróbuj opiewać okaleczony świat [Try to Praise the Mutilated World] is Zygmunt Krauze’s latest composition\, based on Adam Zagajewski’s famous poem\, which calls for finding joy in everyday life. Krauze’s Piano Concerto No. 2\, inspired by the composer’s travels\, expresses admiration and respect for the world’s cultural diversity. Gustav Mahler’s Symphony No. 4 evokes a longing for an idyllic\, childlike vision of Heaven\, undermined by the composer’s subtle irony.  \nPROGRAMME \nZygmunt Krauze (b. 1938)\nTry to Praise the Mutilated World\nfor soprano and orchestra [12’] – world premiere\nwords by Adam Zagajewski (1945–2021)\n(2026)  \nPiano Concerto No. 2 [35’]\n(1996) \nDelphi\nTheotihuacan\nKyongju\nJerusalem  \n****  \nGustav Mahler (1860–1911)\nSymphony No. 4 in G major\nfor soprano and large symphony orchestra [54’]\nwords in mov. IV: text of the folk song Das himmlische Leben from the collection The Boy’s Magic Horn / Des Knaben Wunderhorn\n(1900)  \nBedächtig. Nicht eilen\nIn gemächlicher Bewegung. Ohne Hast\nRuhevoll (Poco adagio) \nSehr behaglich  \n______  \nPERFORMERS \nSymphony Orchestra of the Silesian Philharmonic\nYaroslav Shemet – conductor\, the Orchestra’s Artistic Director\nJoanna Kędzior – soprano\nZygmunt Krauze – piano  URL:https://www.eufonie.pl/en/event/krauze-mahler-shemet-2/ LOCATION:The Warsaw Philharmonic\, Concert Hall\, Jasna 5\, Warszawa\, 00-950 CATEGORIES:Warsaw ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Krauze_Mahler_1200x600_E.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Warsaw:20261123T190000 DTEND;TZID=Europe/Warsaw:20261123T200000 DTSTAMP:20260528T121236Z CREATED:20260528T121236Z LAST-MODIFIED:20260528T121236Z UID:11628-1795460400-1795464000@www.eufonie.pl SUMMARY:Penderecki: Credo | Klauza DESCRIPTION:Credo is one of Krzysztof Penderecki’s finest oratorio works\, alongside such compositions as St. Luke Passion and Seven Gates of Jerusalem. Initially conceived as part of a complete Mass cycle\, it was eventually expanded by the composer into an independent\, monumental work. \nThe textual basis of the composition is the Latin Creed\, enriched with excerpts from the Holy Week liturgy\, the Protestant chorale Aus tiefer Not\, the Polish Lenten hymn Ludu mój ludu\, and the supplicatory invocation Któryś za nas cierpiał rany. This combination of diverse traditions and sources creates a multidimensional\, ecumenical spiritual space. Together with its powerful performing forces\, Credo becomes a deeply moving work in both its spiritual and artistic dimensions. \nPROGRAMME: \nKrzysztof Penderecki \n„Credo” \n_______ \nPERFORMERS: \nCracow Philharmonic Orchestra and Choir\nBoys’ and Girls’ Choir of the Kraków Philharmonic\nUkrainian Children’s Choir of the Kraków Philharmonic\n\nMichał Klauza – conductor\nNatalia Rubiś – soprano I\nKarolina Sikora – soprano II\nAnna Radziejewska – alto\nTBA – tenor\nArtur Janda – bass\n\nJanusz Wierzgacz – choir preparation\nLidia Matynian/Maria Dziedzic-Król – preparation of the Boys’ and Girls’ Choir of the Kraków Philharmonic\nOlena Yatskulynets – preparation of the Ukrainian Children’s Choir of the Kraków Philharmonic URL:https://www.eufonie.pl/en/event/penderecki-credo-klauza/ LOCATION:The Warsaw Philharmonic\, Concert Hall\, Jasna 5\, Warszawa\, 00-950 CATEGORIES:Warsaw ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/05/Penderecki_Credo_23_11eufoniewww1200x600.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Warsaw:20261125T190000 DTEND;TZID=Europe/Warsaw:20261125T210000 DTSTAMP:20260825T120035Z CREATED:20260825T120035Z LAST-MODIFIED:20260825T120035Z UID:12235-1795633200-1795640400@www.eufonie.pl SUMMARY:Baasch: muzyka filmowa DESCRIPTION:SPRZEDAŻ RUSZA WKRÓTCE\nPROGRAMME \nHighest Point \nHe creates song-oriented electro-pop\, but also composes soundtracks for films and theatre performances. During the Eufonie Festival\, he will present the Highest Point project\, combining elements of a concert\, installation\, and performance. We will see a new\, autonomous stage form and hear music based on Baasch’s works previously created for cinema and theatre. In terms of sound\, it will be a synthesis of dance rhythms\, ambient textures\, and classical instruments. Aleksandr Prowaliński is responsible for the project’s stage and lighting design. \nPERFORMERS \nBaasch\nscenografia i reżyseria świateł: Aleksandr Prowaliński \nSPRZEDAŻ RUSZA WKRÓTCE\nDeclaration of availability URL:https://www.eufonie.pl/en/event/baasch-muzyka-filmowa/ LOCATION:Nowy Teatr\, Antoniego Józefa Madalińskiego 10/16\, Warszawa\, 02-513\, Poland CATEGORIES:Altersounds,Warsaw ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Baascheufoniewww1200x600-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Warsaw:20261127T193000 DTEND;TZID=Europe/Warsaw:20261127T210000 DTSTAMP:20260528T123314Z CREATED:20260528T123314Z LAST-MODIFIED:20260528T123314Z UID:11626-1795807800-1795813200@www.eufonie.pl SUMMARY:Liepāja Symphony Orchestra | Kuzma DESCRIPTION:The concert programme presents works by 20th- and 21st-century composers from three countries bordering the Baltic Sea: Poland\, Latvia\, and Finland. \nHenryk Mikołaj Górecki’s Three Pieces in an Old Style (1963) were allegedly composed in response to a friendly ‘criticism’ by Tadeusz Ochlewski\, who claimed that Górecki’s music lacked melody. As the title of this short cycle suggests\, the composer refers to the styles of past eras: modal elements appear in all three movements; the third uses a melody from an anonymous 16th-century song\, while the second pulses with the rhythm of an old folk dance. \nIn Vox Amoris\, a one-movement fantasy for violin and string orchestra (2009)\, Latvian composer Pēteris Vasks gives voice to love as ‘the most powerful force in the world’. The violin and orchestra – ‘the best combination for a “love story”’\, as the composer put it – create a narrative that is initially subtle and lyrical\, but then gains dramatic momentum in the climactic cadenza\, resolving into a calm\, melancholic conclusion. \nThe second part of the concert features Sibelius’s monumental Symphony No. 2 (1902)\, which his contemporaries interpreted as a voice in Finland’s struggle for independence – a view the composer himself denied. Written shortly after the death of his daughter\, Sibelius described it as a ‘confession of the soul’. The second movement\, including motifs of death and resurrection\, can be heard as a musical portrayal of grief and the search for consolation. The victory of hope over darkness is also symbolised by the triumphant finale following the dramatic third movement. \nPROGRAMME: \nHenryk Mikołaj Górecki\nThree Pieces in an Old Style for string orchestra \nPēteris Vasks\nVox Amoris. Fantasy for violin and string orchestra \n****** \nJean Sibelius\nSymphony No. 2 in D major\, Op. 43 43 \n______ \nPERFORMERS: \nLiepāja Symphony Orchestra \nGuntis Kuzma – conductor \nVineta Sareika – violin \n  URL:https://www.eufonie.pl/en/event/liepaja-symphony-orchestra-kuzma/ LOCATION:The Warsaw Philharmonic\, Concert Hall\, Jasna 5\, Warszawa\, 00-950 CATEGORIES:Warsaw ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/05/LSOeufoniewww1200x600-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Warsaw:20261127T200000 DTEND;TZID=Europe/Warsaw:20261127T213000 DTSTAMP:20260825T120056Z CREATED:20260825T120056Z LAST-MODIFIED:20260825T120056Z UID:12241-1795809600-1795815000@www.eufonie.pl SUMMARY:[Wyprzedane] Etnobotanika: Kosmobotanika | Planetarium DESCRIPTION:KONCERT WYPRZEDANY \nThe Silesian duo Etnobotanika specialises in evoking sonic ghosts of the past. It weaves samples from bygone times into dreamlike electronic music and dance rhythms. As part of the Eufonie Festival\, the duo will present the album Kosmobotanika\, which tells a musical story of how space travel was imagined in the Polish People’s Republic. During the concert\, Etnobotanika’s recordings will take on a more club-oriented sound\, accompanied by fragments of Polish science-fiction films. The event will take place at the Planetarium at the Copernicus Science Centre. \nPROGRAMME \nEtnobotanika\nTracks from the album Kosmobotanika (2025) \nPERFORMERS \nEtnobotanika \nDeclaration of availability \nWFDiF jest Partnerem projektu i właścicielem praw do filmów. URL:https://www.eufonie.pl/en/event/wyprzedane-etnobotanika-kosmobotanika-planetarium/ LOCATION:Centrum Nauki Kopernik\, Planetarium\, ul. Wybrzeże Kościuszkowskie 20\, Warszawa\, mazowieckie\, 00-390 CATEGORIES:Altersounds,Warsaw ATTACH;FMTTYPE=image/jpeg:https://www.eufonie.pl/wp-content/uploads/2026/08/Eufonieeufoniewww1200x600.jpg END:VEVENT END:VCALENDAR